At the Series Mania Forum [which was held in Lille, France], nine countries have signed the new Council of Europe Convention on the co-production of audiovisual works in the form of series: France, Georgia, Greece, Italy, Luxembourg, Malta, Montenegro, Poland and Portugal.
The document was signed by the Minister of Culture of Georgia, Tinatin Rukhadze.
The first international legal framework dedicated to the independent co-production of television and streaming series, the convention marks a decisive step for the European and global audiovisual sector at a time of rapid transformation: as platforms reshape how stories are financed, produced and consumed, the treaty establishes clear, shared rules to strengthen cross-border cooperation, support independent producers, and bring greater transparency and predictability to an increasingly complex market.
During the signing ceremony, Council of Europe Secretary General Alain Berset thanked the signatories and urged remaining Council of Europe member states to sign and ratify as well. The treaty needs three ratifications, with at least two from Council of Europe member states, to enter into force.
In addition to its technical role, the convention aims to safeguard the conditions for diverse, high-quality European storytelling in a crowded and volatile information space. It will help to ensure that authentic voices are heard, pluralistic narratives endure, and European creators are better equipped to withstand market concentration and the growing pressure of disinformation. In that regard, the Secretary General stressed: "This treaty will better establish the position of independent producers in a market dominated by non-European players, against a backdrop of economic models dictated by algorithms".
In his address to the Lille Dialogues at Series Mania, the Secretary General highlighted how international recognition increasingly follows from robust co-production frameworks, notably those shaped by the Council of Europe Convention on Cinematographic Co-production. He pointed to the recent Oscar win for Sentimental Value by Joachim Trier as an example of how films developed within this framework, and supported in part by Eurimages, can achieve global acclaim. In this context, he underscored that the emerging Convention on series co-production is intended to foster similar conditions for high-quality series, enabling them to reach comparable levels of visibility and success.